Miyama McQueen-Tokita

Tokyo-based koto and bass koto player Miyama McQueen-Tokita’s practice re-imagines the vocabulary and tradition of Japanese music in the contemporary context of improvisation and experimental music. With the occasional addition of voice and electronics, Miyama’s work as a composer and interpreter speaks beyond her foundation in hogaku and experimental music, with influences ranging from Kazue Sawai to Meredith Monk. As a featured soloist and collaborator with ensembles such as the Vancouver Symphony Orchestra and Australian Art Orchestra, Miyama’s ability to exist in multiple musical worlds is a defining aspect of her musical identity.