Earth, wind and song cycles performing in concert
These songs are rarely heard outside Arnhem Land, so there was a sense that we were witnessing something extremely precious As we settled on the hillside of Birrarung Marr for Crossing Roper Bar on Saturday, the afternoon sun slanted directly into our eyes, making it hard to see the musicians on stage. The wind was up, and after half an hour it started to rain. Yet somehow it seemed absolutely right to be outdoors-sitting on a hill of bare earth-to hear songs with such a strong connection to the natural world. Crossing Roper Bar is a collaboration between members of the Australian Art Orchestra and indigenous musicians from South-east Arnhem Land. On Saturday, they presented traditional Manikay (song cycles) of the Wagilak people. These songs are rarely heard outside Arnhem Land, so there was a sense that we were witnessing something extremely precious. The performance was guided by the four indigenous musicians (Benjamin, Roy and Rex Wilfred and Johnston Hall), singing and setting up rhythmic structures on clapsticks and didgeridoo. The five AAO members (led by Julien Wilson) provided subtle accompaniment during the short bursts of singing, and passages of visceral, high-energy improvisation as instrumental bridges. It was clear that this was not a superficial fusion of two musical cultures, but the beginnings of a mutually respectful and heartfelt understanding. The players followed the indigenous rhythms with careful precision, while Benjamin Wilfred's pulsing Didgeridoo added depth. For me, the most moving moment came when Johnston Hall danced to accompany a turtle-hunting song. As his body moved in nimbly expressed gestures, his eyes gazed directly at us-an invitation to share in this sacred ceremonial dance, and to connect with our country's spiritual ancestry in a way we are rarely afforded.
- Australian Art Orchestra: Crossing Roper Bar The Age, 22 march 2007 (Jessica Nicholas)
