Monthly sonic explorations held in Castlemaine
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To Kill A Magic We Got Used To reimagines Stravinsky’s L'Histoire du soldat for the digital age in a daring new work by Aaron Choulai and Roman MC, performed by the Australian Art Orchestra.
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First Rhythms recontextualises clapsticks, First Nations rhythms, and visual art within a contemporary performance setting, guided by the Indigenous understanding that everything is alive and carries a pulse—such as the earth’s natural rhythm.
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Ane Ta Abia - Aaron Choulai, Australian Art Orchestra and the Tatana Village Choir. Experience a stunning choral concert bringing together musicians and singers from Australia and Papua New Guinea.
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‘Wuigada – Gagada (To Sing – Loud)’ is a collaboration with iconic Australian and First Nations singer-songwriter, Kutcha Edwards. Reimagined for the AAO, this performance celebrates the songs of country, history, pain and joy expressed in Kutcha Edward’s repertoire, and creates space for experimentation by some of Australia’s most creative voices of jazz and improvisation.
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Based on Aaron Choulai’s critically acclaimed 2020 release, and reimagined for the Australian Art Orchestra, Raw Denshi explores new pathways of experimentation in Hip-hop and improvisation, bringing together two of Tokyo’s most prominent and influential MC’s and the AAO.
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A messed up karaoke performance of Australian and Canadian pop hits from the 80s and 90s. The karaoke machine begins to glitch, the singer holds on for dear life, and the Orchestra manages to hold it all together.
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Mythical, innovative and deeply groovy, Umi No Uzu is the latest work by Tokyo-based composer/pianist/beatmaker, Aaron Choulai.
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